Can you see me now? I discovered TV in the early 1960s: wholesome, twin-beds-in-the-master-bedroom comedies like I Love Lucy and The Dick Van Dyke Show , childrenโs stories every Sunday night on The Wonderful World of Disney , and then the โreally big shewโ, The Ed Sullivan Show , where I met the Beatles, Topo Gigio, Stiller and Meara, Seรฑor Wences, and that guy who ran around balancing spinning plates on tall poles, who has served as an ongoing metaphor for my entire life. Which were all well and fine, but I as my age approached double digits, I began to seek weightier subjects that engaged my brain more deeply. The dramas that grabbed me were the ones that showed me strange new ways of looking at our world, challenged my assumptions, and made me think. All of them were sci-fi and suspense-with-a-twist, and the suspense was enhanced by the fuzzy, disappearing reception on our TV antenna. These old shows ignited a voracious hunger in me for dark-and-deep-and-twisty ...